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<title>Mouna Karray</title>

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</style><table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Mouna Karray</div></th></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data">1970 (age 54–55)<br><div style="display:inline" class="birthplace"><a href="Sfax" title="Sfax">Sfax</a>, Tunisia</div></td></tr><tr><th scope="row" class="infobox-label">Education</th><td class="infobox-data">Master of Image Media, <a href="Tokyo_Polytechnic_University" title="Tokyo Polytechnic University">Tokyo Polytechnic University</a>, Japan</td></tr><tr><th scope="row" class="infobox-label">Known for</th><td class="infobox-data">Photography</td></tr><tr><th scope="row" class="infobox-label"><span style="white-space:nowrap;">Notable work</span></th><td class="infobox-data"><i>Nobody Will Talk About Us</i></td></tr><tr><th scope="row" class="infobox-label">Website</th><td class="infobox-data"><span class="url"><a rel="nofollow" class="external text" href="http://www.mounakarray.com">www<wbr>.mounakarray<wbr>.com</a></span></td></tr></tbody></table>

<p><b>Mouna Karray</b> (born 1970) is a Tunisian photographer and video artist. Born in <a href="Sfax" title="Sfax">Sfax</a>, <a href="Tunisia" title="Tunisia">Tunisia</a>, she is primarily known for her photography and film. Her art explores socio-political themes in relation to identity.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:0_3-0" class="reference"><a href="#cite_note-:0-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup>

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<div class="mw-heading mw-heading2"><h2 id="Background_and_education">Background and education</h2></div>

<p>Karray was born in 1970 in Sfax, Tunisia. She studied cinema and photography at the Institut Supérieur d’Animation Culturelle in <a href="Tunis" title="Tunis">Tunis</a> and earned her Masters in Photography in 2001 at the <a href="Tokyo_Polytechnic_University" title="Tokyo Polytechnic University">Tokyo Polytechnic University</a> in Japan.<sup id="cite_ref-:0_3-1" class="reference"><a href="#cite_note-:0-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> She has done residencies at Centre d’Art Vivant De Radès (2004, Tunisia), the <a href="Cit%C3%A9_internationale_des_arts" title="Cité internationale des arts">Cité internationale des arts</a> (2005, Paris), and the <a href="Civitella_Ranieri_Foundation" title="Civitella Ranieri Foundation">Civitella Ranieri Foundation</a> (2007, Umbria, Italy).<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> She is currently working in <a href="Sfax" title="Sfax">Sfax</a> and Paris.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup>

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<p>Karray's work mostly consists of photography and film, with themes of poverty, gender, and the <a href="Arab_Spring" title="Arab Spring">Arab Spring</a> resonating strongly.<sup id="cite_ref-:0_3-2" class="reference"><a href="#cite_note-:0-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Her work mostly focuses on political messaging, as well as her experiences as a woman, an Arab, and a Tunisian. Her work focuses on how poverty has spread throughout Tunisia, as well as the <a href="Tunisian_Revolution" class="mw-redirect" title="Tunisian Revolution">Tunisian Revolution</a>.<sup id="cite_ref-:0_3-3" class="reference"><a href="#cite_note-:0-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:3_6-0" class="reference"><a href="#cite_note-:3-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> She uses her photography to specifically address poverty by documenting landscapes that have been neglected or abandoned, often juxtaposed with the people that still live there. She frequently photographs everyday objects and people, offering the audience of her work a glimpse into the subject's daily life.

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<div class="mw-heading mw-heading2"><h2 id="Works">Works</h2></div>

<div class="mw-heading mw-heading3"><h3 id="Self_Circumstances_(2000)">Self Circumstances (2000)</h3></div>

<p>Karray developed the <i>Self Circumstances</i> series of self portraits while she was in Tokyo in 2000, which is based on Karray's experience of moving to Tokyo from Africa. The self-portraits were shot with hung metal rings in a public park. Karray used these in her self-portraits to evoke the impression of being lost in a <a href="Labyrinth" title="Labyrinth">labyrinth</a>, which she perceived Tokyo to be at the time.<sup id="cite_ref-:0_3-4" class="reference"><a href="#cite_note-:0-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup>

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<div class="mw-heading mw-heading3"><h3 id="Au_Risque_de_l’identite/_Identity_at_Stake_(2006)">Au Risque de l’identite/ Identity at Stake (2006)</h3></div>

<p>In <i>Au Risque de l’identite/ Identity at Stake</i>, Karray would recruit women volunteers, without priorly meeting them, to come and take photographs. Then, after taking a shot of these women, she would dress up as them and replicate the image she had just taken, as a photography series as well as a performance art piece. The models in these photos were never prompted to pose, resulting in completely natural views. The model's natural posture and attitude would then have to be matched by Karray.<sup id="cite_ref-:0_3-5" class="reference"><a href="#cite_note-:0-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup>

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<div class="mw-heading mw-heading3"><h3 id="Murmurer_(2007–2009)">Murmurer (2007–2009)</h3></div>

<p>From 2007 to 2009, Karray photographed the port areas of Sfax, Tunisia, the city she was born in. <i>Murmurer</i> depicts a gap between the decrepit ports and the rest of Sfax; in a city that is densely populated, there are few people in the images, emphasizing the contrast between the broken, abandoned structures and a lively cityscape.<sup id="cite_ref-:1_7-0" class="reference"><a href="#cite_note-:1-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup>

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<p>In 2012, Karray made a six-minute video titled <i>Live</i>, this video is still propaganda images from the deposed president <a href="Zine_El_Abidine_Ben_Ali" title="Zine El Abidine Ben Ali">Ben Ali</a>. This project's unedited film consisted of a discussion between a taxi driver and a passenger. They openly discuss the prior regime and the current government they are under. This piece uses the contrast of the conversation you are hearing, and the visuals of the propaganda to give the viewer an inside look into the political happenings of Tunis in 2011 and 2012.<sup id="cite_ref-:3_6-1" class="reference"><a href="#cite_note-:3-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup>

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<div class="mw-heading mw-heading3"><h3 id="Nobody_will_talk_about_us_(2012)">Nobody will talk about us (2012)</h3></div>

<p>In <i>Nobody will talk about us</i> Karray photographs of the Southern religion of Tunisia. This region has been forgotten and cut off from the rest of the country. She is attempting to raise awareness of this forgotten region through her series of works. This work captures not only desolate landscapes, but also the people who live in them, bringing awareness to the fact that they still exist. She has stated, <i>"I went back to the Tunisian southwest, its silent poverty, its mineral loneliness, its arid and forgotten soils whose foundations were rich with minerals, which have been confiscated and stripped from these oppressed – but not submissive – souls,"</i><sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:2_9-0" class="reference"><a href="#cite_note-:2-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:0_3-6" class="reference"><a href="#cite_note-:0-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup>

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<div class="mw-heading mw-heading2"><h2 id="Exhibitions">Exhibitions</h2></div>

<p><b>Individual exhibitions</b>

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<ul><li><i>Nobody will talk about us</i>, Tyburn Gallery, London (2016)<sup id="cite_ref-:2_9-1" class="reference"><a href="#cite_note-:2-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup></li>

<li><i>Murmurer</i>, Galerie El Marsa, <a href="Tunis" title="Tunis">Tunis</a> (2011)<sup id="cite_ref-:1_7-1" class="reference"><a href="#cite_note-:1-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:0_3-7" class="reference"><a href="#cite_note-:0-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup></li>

<li><i>The cut-out</i>, Diwan Dar el Jeld de la Medina, Tunis (2004)</li></ul>

<p><b>Collective exhibitions (selection)</b>

</p>

<ul><li>Dak'Art, Dakar (2016)<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup></li>

<li><i>The Sea is my Land</i>, MAXXI, <a href="Rome" title="Rome">Rome</a> (2013)</li>

<li><i>Ici, ailleurs</i>, Friche la Belle de Mai, Tour-Panorama, <a href="Marseille" title="Marseille">Marseille</a> (2013)</li>

<li><i>The Bamako Encounters</i>, Calouste Gulbenkian Foundation, <a href="Lisbon" title="Lisbon">Lisbon</a> (2013)</li>

<li><i>Bright Future Contemporary Art from Tunisia</i>, Ifa Gallery <a href="Stuttgart" title="Stuttgart">Stuttgart</a> (2013)</li>

<li><i>#COMETOGETHER: LONDON, Edge of Arabia</i>. Old Truman Brewery, London (2012)</li>

<li><i>Bright Futur Contemporary Art from Tunisia</i>, Ifa Gallery <a href="Berlin" title="Berlin">Berlin</a> (2012)</li>

<li><i>Dream City</i>, 3rd edition, Sfax, Tunis (2012)</li>

<li><i>The Bamako Encounters</i>, BOZAR, <a href="Brussels" title="Brussels">Brussels</a> (2012)</li>

<li><i>Chkoun Ahna</i>, Musée National de Carthage, Tunisia (2012)</li>

<li>Dégagement… La Tunisie un an après, Institut du Monde Arabe, Paris (2012)</li>

<li>Les 9e Rencontres de la photographie, <a href="Bamako" title="Bamako">Bamako</a> (2011)</li>

<li><i>A Useful Dream</i>, BOZAR, Brussels (2010)</li>

<li><i>PICHA, Image encounters</i>, <a href="Lubumbashi" title="Lubumbashi">Lubumbashi</a> (2010)</li>

<li><i>L'autre bord #1</i>, Galerie des grands bains douches, Marseille (2010)</li>

<li><i>Photoquai</i>, Musée du Quai Branly, Paris (2009)</li>

<li><i>Spot on Bamako</i> 2007, IFA gallery, Stuttgart (2009)</li>

<li><i>Women of images, snatches of intimacy</i>, Centre Culturelle Française a Beyrouth, <a href="Lebanon" title="Lebanon">Lebanon</a> (2009)</li></ul>

<div class="mw-heading mw-heading2"><h2 id="References">References</h2></div>

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</style><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://zeitzmocaa.museum/artists/mouna-karray/">"Mouna Karray"</a>. <i>Zeitz MOCAA</i><span class="reference-accessdate">. Retrieved <span class="nowrap">21 August</span> 2020</span>.</cite></span>

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<li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://awarewomenartists.com/en/artiste/mouna-karray/">"Mouna Karray"</a>. <i>aware Women Artists</i><span class="reference-accessdate">. Retrieved <span class="nowrap">21 August</span> 2020</span>.</cite></span>

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<li id="cite_note-:0-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-:0_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:0_3-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:0_3-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:0_3-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-:0_3-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-:0_3-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-:0_3-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-:0_3-7"><sup><i><b>h</b></i></sup></a></span> <span class="reference-text"><cite id="CITEREFHadria2013" class="citation book cs1">Hadria, Mich (2013). <i>Three Tunisian Women Artists: Nicène Kossentini, Mouna Karray and Moufida Fedhila</i>. KT Press. pp. <span class="nowrap">28–</span>43. <a href="ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <bdi>9780953654185</bdi>.</cite></span>

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<li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://nadour.org/artists/mouna-karray/">"Mouna Karray – Artists – Nadour"</a>. <i>Nadour</i><span class="reference-accessdate">. Retrieved <span class="nowrap">21 August</span> 2020</span>.</cite></span>

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<li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://africultures.com/personnes/">"Personnes"</a>. <i>Africultures</i> (in French)<span class="reference-accessdate">. Retrieved <span class="nowrap">2020-04-29</span></span>.</cite></span>

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<li id="cite_note-:1-7"><span class="mw-cite-backlink">^ <a href="#cite_ref-:1_7-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:1_7-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><cite id="CITEREFMagee2015" class="citation journal cs1">Magee, Carol (2015). <span class="id-lock-subscription" title="Paid subscription required"><a rel="nofollow" class="external text" href="https://www.tandfonline.com/action/journalInformation?show=aimsScope&journalCode=rfpc20">"There Is a There There: Place in African Cityscapes"</a></span>. <i>Photography and Culture</i>. <b>7</b>: <span class="nowrap">41–</span>62. <a href="Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.2752%2F175145214X13936100122327">10.2752/175145214X13936100122327</a>. <a href="S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a> <a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:192070581">192070581</a>.</cite></span>

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<li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text"><cite id="CITEREFadmin2017" class="citation web cs1">admin (2017-02-15). <a rel="nofollow" class="external text" href="https://africanah.org/mouna-karray-nobody-will-talk-about-us/">"Mouna Karray: Nobody will talk about us"</a>. <i>AFRICANAH.ORG</i><span class="reference-accessdate">. Retrieved <span class="nowrap">2021-11-14</span></span>.</cite></span>

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<li id="cite_note-:2-9"><span class="mw-cite-backlink">^ <a href="#cite_ref-:2_9-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:2_9-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.bjp-online.com/2016/04/mouna-karray-nobody-will-talk-about-us">"Mouna Karray's Exploration of Tunisia's Neglected People"</a>. British Journal of Photography<span class="reference-accessdate">. Retrieved <span class="nowrap">14 May</span> 2017</span>.</cite></span>

</li>

<li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.lemonde.fr/afrique/article/2016/05/04/dak-art-2016-du-chaos-surgit-une-tres-belle-exposition-internationale_4913761_3212.html">"Dak'Art 2016 : du chaos surgit une très belle exposition internationale"</a>. lemonde.fr<span class="reference-accessdate">. Retrieved <span class="nowrap">14 May</span> 2017</span>.</cite></span>

</li>

</ol></div></div>

<div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2></div>

<ul><li><a rel="nofollow" class="external text" href="https://mounakarray.com/">Official Website</a></li></ul>

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</style></div><div role="navigation" class="navbox authority-control" aria-labelledby="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q28048968#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata1254" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q28048968#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata1254" style="font-size:114%;margin:0 4em">Authority control databases </div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">International</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://isni.org/isni/0000000454073491">ISNI</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/119145003296761300559">VIAF</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.oclc.org/worldcat/entity/E39PBJc7VTjqgXkFWk9DVwPfbd">WorldCat</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/nb2015022823">United States</a></span></li><li><span class="uid"><span class="rt-commentedText tooltip tooltip-dotted" title="Karray, Mouna <fotografa>"><a rel="nofollow" class="external text" href="https://opac.sbn.it/nome/LIGV029492">Italy</a></span></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://authority.bibsys.no/authority/rest/authorities/html/1653056312068">Norway</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.idref.fr/236334395">IdRef</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://lux.collections.yale.edu/view/person/f6cb7c8d-5de4-4048-bc25-06a38b697846">Yale LUX</a></span></li></ul></div></td></tr></tbody></table></div></div><div><div class="zim-footer">

This article is issued from <a class="external text" title="Last edited on 2025-06-25" href="https://en.wikipedia.org/wiki/?title=Mouna_Karray&oldid=1297289788">Wikipedia</a>. The text is available under <a class="external text" href="https://creativecommons.org/licenses/by-sa/4.0/deed.en">Creative Commons Attribution-Share Alike 4.0</a> unless otherwise noted. Additional terms may apply for the media files.

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